SOL24: Poetry Workshop

            This afternoon I went to a Women Writers in Bloom Poetry Salon, a workshop led by Peggy Robles-Alvarado. Over a little more than two hours, we read eight poems and had five- and ten-minute writing exercises after each one. After “From the Book Titled Nejma” by Nayyirah Waheed, we had the prompt, “who does your body make a home for?”; here’s my draft for that one:

My body

makes

a home for

the lost ones.

My body halts

the oncoming winds.

It cries out

for

soft kisses.

It brings home

the birds at sunset

My body lies

on the ground of

sand, shifting

with

the water edging

along the shore.

My body craves

tea leaves,

orange blossoms to

feed

your insecurities,

to heal

my insecurities.

My body lifts up

to the universe,

stars speckling

the dark sky.

My body makes

a home for memories

it can’t escape,

for memories it

feeds on,

for memories that

nourish and

memories that starve,

memories that have

no end,

memories that ride on

dirt tracks to

nowhere,

memories that can’t

be completed,

that stop at the

edge

of a canyon rim.

My body wants a home

that no longer exists.

My body builds a new

home from

nails, wine books,

words, words, words,

letters, numbers. 

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I’m participating in the 12th annual Slice of Life Challenge over at Two Writing Teachers. This is day 1 of the 31-day challenge.  It’s not too late to make space for daily writing in a community that is encouraging, enthusiastic, and eager to read what you have to slice about.  Join in!

SOLSC Day 11: Poetry Underground

The New York City subway system has, since 1992, had a Poetry in Motion program, with a new poem posted in subway cars every so often. I saw the current poem, “Heaven,” by Patrick Phillips, this evening, and it so spoke to me. It was as though someone was tuned in to what I need and have been thinking. I wish I had written this.

Heaven

by Patrick Phillips

It will be the past
and we'll live there together.

Not as it was to live
but as it is remembered.

It will be the past.
We'll all go back together.

Everyone we ever loved,
and lost, and must remember.

It will be the past.
And it will last forever.

Poem a Day, #20 (across the sea)

Across the Sea

Two ships sail west across the Atlantic.

The first carries what the shipowners call "cargo," men, women, children stolen from their homes and turned into property, a notion propped up by the shipowners' religion.

The second carries passengers, many escapees from empires Russian, Prussian, Austro-Hungarian, men, women, children fleeing pogroms, poverty, hatred for their religion, hatred embedded in a religion descended from theirs.

The first ship carries "slaves," a word for people forcibly bought and sold, who some history books tell us had a better life in the United States than in their "primitive," "warlike" villages back home, who other history books tell us came from civilizations older than Europe's.

The second ship carries "immigrants," a word for people voluntarily leaving their homes to, as history books tell us, "seek a better life."

The people on the first ship have skin colors from brown to black. Their "owners," with their paler skin, assign them a different "race" to justify their "ownership" of these human beings.

The people on the second ship have skin colors from pale to tan. They have different religions, come from different countries, but the pale "natives" assign them many "races" to justify keeping them outside the privileges of those who came here earlier.

The passengers on the second ship are greeted in New York Harbor by a statue whose inscription welcomes the "tired," the "poor," the "huddled masses yearning to breathe free."

The statue does not welcome the tired, poor, huddled masses yearning to breathe free on the first ship. The statue did not exist when their ship sailed into New York Harbor. When the ships ceased to sail west with their human "cargo," the people consigned to slavery continued to bear children, still called property by their "owners."

A great war ends the institution of slavery, but many of the people freed are kept enslaved by terror and their former owners' power and "tradition."

The children and grandchildren of the people on the second ship melt into the privilege of whiteness even if they do not acquire the privilege of wealth. The melting pot absorbs their culture and heritage and turns it into novelty.

The children and grandchildren of the people on the first ship, as people of color, are not allowed to melt into whiteness, although some do acquire the privilege of wealth.

Some unknown number whose lightness of skin does allow them to melt in, melt at the cost of losing their families of color and their heritage and culture.

Two ships sail west across the Atlantic, the skin color of their human cargoes imposing vastly different futures by forces beyond their control.

  http://imgs.xkcd.com/comics/the_carriage.png

This feels a bit labored to me, like maybe it should be an essay rather than a poem. I don't know.

Poem a Day, #19 (a moment)

The Moment My Mother Died

It was quiet in the hospital at 7 p.m.

She was hooked up only to the morphine drip

And pulse oximeter glowing green

As its number dropped, 53, 45, 40.

When we arrived in the morning,

her eyes were closed, her breathing rough.

She gasped for air like a guppy.

But she was aware. She turned her head

Toward her doctor’s voice.

“Do you want more oxygen?”

She shook her head.

“Do you want to be more comfortable?”

She nodded.

She pushed down the sheet, the hospital gown,

Till she was almost naked.

Did she want to leave this world the same way

She’d entered it?

She swallowed water from a sponge.

My sister talked her through a guided meditation,

Holding one hand while I held the other.

She turned her closed eyes toward my sister,

Then toward me.

Did she want an alternative from me?

I wished I had words to say,

“I know you don’t believe in this spiritual bullshit,

“I know you’re ready to go,

“But we’re not ready to let you go.

“There’s still so much you have to tell us,

“There’s still so much we haven’t asked you,

“There’s still so much we went to know.”

The skin of her neck fluttered with

Each slowing breath.

The oximeter read 25, 14, 9.

When it read X, I watched her neck,

A minute, two, three. No movement.

The room was quiet, empty, lonely,

The moment my mother died.

 http://imgs.xkcd.com/comics/the_carriage.png

Poem a Day, #18 (history)

Personal History

Can you say, “Fifty years ago, I (did, was, etc.)...”?

Is fifty years ago ancient history to you?

Do you think someone who is fifty is old?

Fifty years ago, I had just gotten married.

Fifty years ago, I attended the first big anti-Vietnam War demonstration.

Fifty-two years ago, I was at the March on Washington.

I never asked my parents,

“How old were you when your life became history?”

When did they start to remember “Fifty years ago, I...”?

When does your life become history?

How old do you have to be to become historical?

Is history happening every day, but

You don’t know it until fifty years later? 

 http://imgs.xkcd.com/comics/the_carriage.png

Poem a Day, #17 (my something, the something)

The prompt is "My (blank), the (blank)" so here's my effort.

My Memory, the Traitor

I learned early my memory can lie.

The memory:

Riding in a car on a summer day,

Riding to the beach on the Housatonic River,

Listening to “Volare,” sung by Domenico Modugno.

The truth:

I was not living anywhere near the Housatonic River

When “Volare” was released,

In 1958.

In 1958 I lived in Levittown, Pennsylvania,

Nowhere near a beach I could be riding to.

In adulthood, my memory worked well,

Well enough to make a living as a copy editor,

Remembering the spelling of a name

Many pages ago,

Remembering the title of a character

Many pages ago,

Remembering whether the word “sychophant”

Had been used to describe the assistant director

Many pages ago.

Memory matched up with locations and years,

As I moved homes or jobs.

Past 70, memory doesn’t lie, it fades.

What is the name of that song on the radio?

The melody and rhythm as familiar as an old sweater,

But the singer, the lyrics are lost in a fog.

I wake in the morning and puzzle out

The name of the day, is it Sunday or Monday?

Or maybe Wednesday?

Why did I come into the kitchen?

Should I have gone to the bedroom instead?

What is the last name of my college roommate,

The author of that great book I read 10 years ago,

The actress who lived across the street,

The Mets pitcher of the playoff game we saw in 2006?

I still remember what my keys are for, but

Not where I left them.

What is to be done?

And where are my glasses?

 http://imgs.xkcd.com/comics/the_carriage.png

Poem a Day, #14 (swing)

Swing music might have been my parents’ soundtrack

If they danced.

Swing dancing always looks like so much fun,

But I’m bad at learning steps.

I would have swung high on a backyard swing

If my father had hung one.

I loved to swing a bat at a softball

But never played on a team.

I’ve never lived in a swing state or

Cast a swing vote.

I never have mood swings

(my moods hover around the midline,

boringly so).

Swinging is more fun than standing still.

Swinging left is more fun than swinging right.

Swinging opinions are called flip-flopping,

But why is changing your mind a bad thing?

 http://imgs.xkcd.com/comics/the_carriage.png

Poem a day, #13 (science)

Biology is the birds and the bees,

how life works, from the flea to the elephant.

Chemistry makes us high,

explains the carbon cycle, spins the periodic table.

Alchemy turns lead into gold,

distills the fountain of youth.

Physics searches for the origin of the universe,

from quarks to quasars.

Astronomy names the stars

and moves faster than the speed of light.

Astronomy reads the stars

and names their links to us.

Paleontology delves into the history of biology,

finding life in bones and fossils.

Geology rakes the earth, dirt to rock,

volcanoes to earthquakes.

Mathematics, the language of science,

ties them all together,

excluding the pseudo from the real.

 http://imgs.xkcd.com/comics/the_carriage.png

Poem a Day, #9 (how to...)

How to Drive Yourself Insane

Offer to write a short interview piece.

Acquire a free recording app for your iPad.

Test the app. Yes, it works.

Record the interview.

(Take notes just to be on the safe side.)

Try to play back the interview.

Wonder why nothing happens.

Try to play it back again.

Still wonder why nothing happens.

Look up .m4a files online.

Find out that iTunes or QuickTime Player will open .m4a files.

Transfer the file to your laptop.

Open iTunes.

Try to open interview file. Nothing happens.

Open QuickTime.

Try to open interview file. Nothing happens.

Stare at computer screen.

Go to Web page of recording app’s creator.

Write impassioned plea for help.

Web page refuses to post your plea until you fill in a nonexistent field.

Resist impulse to scream.

Look at notes.

Curse your aging memory.

Have a stiff drink.

Wish for angels to whisper interview into your ears.

 http://imgs.xkcd.com/comics/the_carriage.png

Poem a Day, #7 (dare)

Dare you

Do you dare to eat a peach?

Do you dare to swim upstream?

Do you dare to wear chartreuse?

Do you dare to leave the team?

Do you dare to run amok?

Do you dare to run aground?

Do you dare to mingle starlight?

Do you dare to drink soft sounds?

Do you dare to write for no one?

Do you dare to sing pure fashion?

Do you dare to paint Orion?

Do you dare to knit a passion?

 http://imgs.xkcd.com/comics/the_carriage.png